我的极品闺蜜

我觉得又要哭着看完了，我的十几年就这样落幕了，真心舍不得

摇摆于纪录片和真实电影之中retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc, “before it was too late,” reconstructing her impressions in the manner of a documentary on the border of fiction. By filming “everything that touched me,” Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Unfolding without dialogue or commentary, FROM THE EAST takes the form of a cinematic elegy.

不喜欢这种过于露骨的仪式感表达和电影主题对回归宗教信仰的诉求。即使我的极品闺蜜源于精神家园在现代失魂落魄，彼岸的天国也绝非当下的归宿；即使人们麻痹了生活的实感，禁欲和疯癫也断不可能引渡肉身通向救赎。当然，电影语言表达本身凝炼而馥郁，画面充满质感与韵律，所以还是不情愿地给了四星。